Artists Arlene Murphy, BFA &
Andrea Mercier, aka "Anlome's Art" |
Exponentially Fine Art!
2 Artists, 2 Mediums, 2 Styles 1 Canvas an Unprecedented Collaboration |
Imagine you paint a picture.
It’s an abstract fluid acrylic pour and it’s beautiful.
Now imagine handing that painting to someone else, who is going to paint something on top of what you painted
and intentionally change the whole picture, leaving your work as the background.
That is the essence of AM² Fine Art.
Each canvas is first created by Andrea Mercier who gets to choose, mix and pour the colours for each piece.
She then becomes the instrument in which the paint and the canvas interact in a kind of artistic ballet.
The artwork then gets handed off to Arlene Murphy
who then spends considerable time creating harmony with the piece before beginning to paint.
What she sees in the lines and the flow of the background paint, will inform what she feels best fits on top of it.
She sees things in the fluid acrylic pours that you didn’t know were there.
She tucks whispers of the master’s style into some of the pieces; if you are acquainted, you may find them peeking at you.
The titles are all two-word alliterations, with both words beginning with the same letter.
Andrea gets to initiate choosing the title with the first word revealing itself to her when the fluid acrylic pour is complete.
Once Arlene has gone through her journey of discovery and finished the piece
she then adds the second word to complete the title.
There is little or no discussion about each piece, it is art-led.
The work is shared from the title to the completed piece, often without a plan, or interaction.
It is an unspoken collaborated-Co’llusion©.
It’s an abstract fluid acrylic pour and it’s beautiful.
Now imagine handing that painting to someone else, who is going to paint something on top of what you painted
and intentionally change the whole picture, leaving your work as the background.
That is the essence of AM² Fine Art.
Each canvas is first created by Andrea Mercier who gets to choose, mix and pour the colours for each piece.
She then becomes the instrument in which the paint and the canvas interact in a kind of artistic ballet.
The artwork then gets handed off to Arlene Murphy
who then spends considerable time creating harmony with the piece before beginning to paint.
What she sees in the lines and the flow of the background paint, will inform what she feels best fits on top of it.
She sees things in the fluid acrylic pours that you didn’t know were there.
She tucks whispers of the master’s style into some of the pieces; if you are acquainted, you may find them peeking at you.
The titles are all two-word alliterations, with both words beginning with the same letter.
Andrea gets to initiate choosing the title with the first word revealing itself to her when the fluid acrylic pour is complete.
Once Arlene has gone through her journey of discovery and finished the piece
she then adds the second word to complete the title.
There is little or no discussion about each piece, it is art-led.
The work is shared from the title to the completed piece, often without a plan, or interaction.
It is an unspoken collaborated-Co’llusion©.